"The Super Mario Galaxy Movie" Is Pretty (But Shallow)

Kevin Rodriguez • April 2, 2026

Title: The New Super Mario Galaxy Movie

Director: Aaron Horvath, Michael Jelenic

Genre: Action/Comedy

Studio: Universal Pictures

Rating: PG (For action, mild violence and rude humor)

Matt Damon made headlines last year when he was on a podcast promoting a movie he and Ben Affleck had just made for Netflix. He revealed that executives at the company requested that key story elements be repeated throughout the film, as they wanted the movie to be understood by those who may only be half paying attention to the screen, and half paying attention to their phone. With Illuminations' “The Super Mario Galaxy Movie,” they may have found the perfect streaming movie: they have made something that has lots of little moments of fanboy joy to be found, but little in terms of substance or even general conflict. I sensed there was something wrong when producer Shigeru Miyamoto asked fans to see how many easter eggs they could spot in the movie.

Ant-Man in his suit stands over fallen men in a metallic room, illuminated by geometric lights.

Why would a producer highlight the easter eggs of a film rather than the story, the journey, or even the characters? Probably because “The Super Mario Galaxy Movie” is so devoid of any of the things that make a typical narrative work so well, that if he were to highlight any of those aspects, people would realize the visuals were little more than wrapping paper for a box that has nothing in it. Even as I sit here and type this review, I do remember aspects of what I watched, but I couldn’t articulate what any of it meant. The most obvious aspect of praise here is the animation, which is lush, beautiful, and colorful, despite being made on a small budget by Illumination.

Michael Douglas in a convertible car, wearing sunglasses and a suit, looking to the side.

They are truly the masters of getting the most bang for their buck, and I would argue there is more artistry in the animation here than in Pixar’s “Hoppers” (also playing in theaters, by the way). Ah, but where “Hoppers” has an interesting protagonist who has a journey and character growth, Mario just seems to be along for the ride: he is tasked with watching over Princess Peaches' castle while she is away saving a princess (why she doesn’t ask him to come with her isn’t made clear), but he ends up being sucked into the galaxy against his will. He and Luigi find a dinosaur pal in the sewers named Yoshi, who they let tag along because…I guess he’s cute or something like that (the film never establishes if this is a relationship or if Yoshi is more of a pet).

Dorthy and her gang meet The Wizard of Oz.

The closest thing to a character arc is Bowser being rehabilitated from a life of destruction, but even that storyline ends up going nowhere, with Bowser returning to his evil ways without much explanation (not that there was a clear motivation for him to attempt to become a good guy to begin with). Look, I know I’m not supposed to expect much from a video game adaptation about an Italian plumber who travels through pipes. There isn’t much there to work with. Then again, there wasn’t much to work with when it came to “The LEGO Movie” or “Barbie” either, yet look how those turned out. The issue with “The Super Mario Galaxy Movie” isn’t that it's made for kids or that it is full of fan service; the issue is that there is no substance to anything that is happening.

While there is a conflict, there never seems to be any stakes at play, and Mario seems to be along for the ride rather than being the master of his own destiny. Considering Mario is the first to leap into action in the video games to save the day, it feels weird for him to be left behind to play diplomat and only show up for the action when he is unwittingly dragged into it. And while Peach may have a more feminist attitude in these films, she knew enough in the first movie that she couldn’t solve the problems of the kingdom by herself. This creates an additional issue of lessons in the first movie not carrying over to this one.

Green-skinned witch in a black hat and robe, looking concerned, next to a man in a green military-style jacket.

In the end, “The Super Mario Galaxy Movie” seems more like a series of TikTok clips; there are plenty of random jokes and visual gags that would be great in a short clip, but in the bigger picture, they don’t amount to much. Kids will enjoy it, I suppose, and hardcore Nintendo fans who aren’t looking for much more than reminders of their childhood will get their dopamine hits. But with “Hoppers” and “Project Hail Mary” still in theaters, it highlights just how much to do about nothing “The Super Mario Galaxy Movie” ends up being. But, Netflix will likely enjoy it, because since there is no story of substance, people can play it in the background while occasionally looking up for the random joke or cameo (or just watch those clips on TikTok).

Black star on a white background.

1 Rating


Blank white image.

Share this page with fellow film lovers on your favorite social media platform and let’s keep the movie talk going!

Recent Posts

Driver wearing a clear oxygen mask in a car, looking ahead with a serious expression.
By Kevin Rodriguez May 14, 2026
Christopher Nolan goes on an endless loop in Tenet, a slick, time‑twisting spectacle that impresses the senses even as its emotional core slips away.
Crowded party scene with a surprised woman in front, surrounded by smiling guests in dim light
By Kevin Rodriguez May 12, 2026
In mother!, Aronofsky twists the idea of human creation into a horrifying spiral of chaos, obsession, and sacrifice that grows more unsettling with every moment
Person holding a bouquet stands behind a podium, addressing an audience in a dimly lit room.
By Kevin Rodriguez May 6, 2026
Profane yet sincere, I Swear turns its barrage of sharp language into a surprisingly warm, emotional journey that balances outrageous humor with genuine heart.
Two horses in a rustic farm scene at sunset, with a windmill and mountains in the background
By Kevin Rodriguez May 6, 2026
A sunnier tone reshapes Angel Studios’ Animal Farm, yet the adaptation preserves the story’s unsettling truths about control, corruption, and collective hope.
Speed Racer drives the Mach 6.
By Kevin Rodriguez April 22, 2026
“Speed Racer” explodes with color, chaos, and candy‑coated energy. iCritic explores how this cinematic acid trip became a bold, misunderstood cult favorite.
Animated scene featuring Aang, Katara, Zuko, Sokka, and Toph from Avatar: The Last Airbender.
By Kevin Rodriguez April 14, 2026
A major leak of the new Avatar film is stirring panic among fans and studios alike, prompting fears that the franchise’s momentum and future may be in jeopardy.
Arthur Fleck, as the Joker, stands before a mirror with
By Kevin Rodriguez April 5, 2026
Exploring the torment beneath the Joker’s iconic grin, "Joker" explores how trauma, neglect, and fractured identity fuel the darkness behind his haunting smile.
Joker and Harley Quinn stand face-to-face in a spotlight on a balcony, illuminated against a dark, red-lit background.
By Kevin Rodriguez April 5, 2026
In “Joker: Folie à Deux” Arthur Fleck sings his way through madness and obsession, creating a surreal musical sequel that blurs fantasy and reality. iCritic reviews.
Batman and Superman stand face-to-face in a close-up, dramatic shot under rainy, dark lighting.
By Kevin Rodriguez March 31, 2026
Ten years on, Batman v Superman: Dawn of Justice continues to polarize fans and critics, standing as one of the most debated films in modern superhero history.
Llama in a green basketball jersey stands in a stadium, smiling. Purple and white lights illuminate the arena.
By Kevin Rodriguez February 16, 2026
iCritic that admits “GOAT” isn’t top-tier but still celebrates its charm, energy, and entertainment value while highlighting why it works despite its flaws.
Driver wearing a clear oxygen mask in a car, looking ahead with a serious expression.
By Kevin Rodriguez May 14, 2026
Christopher Nolan goes on an endless loop in Tenet, a slick, time‑twisting spectacle that impresses the senses even as its emotional core slips away.
Crowded party scene with a surprised woman in front, surrounded by smiling guests in dim light
By Kevin Rodriguez May 12, 2026
In mother!, Aronofsky twists the idea of human creation into a horrifying spiral of chaos, obsession, and sacrifice that grows more unsettling with every moment
Person holding a bouquet stands behind a podium, addressing an audience in a dimly lit room.
By Kevin Rodriguez May 6, 2026
Profane yet sincere, I Swear turns its barrage of sharp language into a surprisingly warm, emotional journey that balances outrageous humor with genuine heart.
Two horses in a rustic farm scene at sunset, with a windmill and mountains in the background
By Kevin Rodriguez May 6, 2026
A sunnier tone reshapes Angel Studios’ Animal Farm, yet the adaptation preserves the story’s unsettling truths about control, corruption, and collective hope.
Speed Racer drives the Mach 6.
By Kevin Rodriguez April 22, 2026
“Speed Racer” explodes with color, chaos, and candy‑coated energy. iCritic explores how this cinematic acid trip became a bold, misunderstood cult favorite.
Animated scene featuring Aang, Katara, Zuko, Sokka, and Toph from Avatar: The Last Airbender.
By Kevin Rodriguez April 14, 2026
A major leak of the new Avatar film is stirring panic among fans and studios alike, prompting fears that the franchise’s momentum and future may be in jeopardy.
Arthur Fleck, as the Joker, stands before a mirror with
By Kevin Rodriguez April 5, 2026
Exploring the torment beneath the Joker’s iconic grin, "Joker" explores how trauma, neglect, and fractured identity fuel the darkness behind his haunting smile.
Joker and Harley Quinn stand face-to-face in a spotlight on a balcony, illuminated against a dark, red-lit background.
By Kevin Rodriguez April 5, 2026
In “Joker: Folie à Deux” Arthur Fleck sings his way through madness and obsession, creating a surreal musical sequel that blurs fantasy and reality. iCritic reviews.
Batman and Superman stand face-to-face in a close-up, dramatic shot under rainy, dark lighting.
By Kevin Rodriguez March 31, 2026
Ten years on, Batman v Superman: Dawn of Justice continues to polarize fans and critics, standing as one of the most debated films in modern superhero history.
Llama in a green basketball jersey stands in a stadium, smiling. Purple and white lights illuminate the arena.
By Kevin Rodriguez February 16, 2026
iCritic that admits “GOAT” isn’t top-tier but still celebrates its charm, energy, and entertainment value while highlighting why it works despite its flaws.
Show More