Pain Lies Behind the "Joker" Smile

Kevin Rodriguez • April 5, 2026

Title: Joker

Director: Todd Phillips

Starring: Joaquin Phoenix

Genre: Drama

Studio: Warner Bros.

Rating: R (For strong bloody violence, disturbing behavior, language and brief sexual images)

With how much comic books have degraded the art of film (sorry, it's true), it is easy to forget why so many people were attracted to comic book characters in the first place. The reason comic book characters resonate so well with many of us at a young age is because they are some of the first pieces of literature we are introduced to complex concepts and themes we would otherwise not be introduced to until further down the line. X-Men introduced young readers to the plight of the Civil Rights movement and there is certainly a case to be made that those with anger management issues are bound to relate to the Hulk.

Ant-Man in his suit stands over fallen men in a metallic room, illuminated by geometric lights.

Joker is a unique character in that his history has always been a little vague. He loves causing chaos and torture but doesn't sweat getting caught because it's all about the game to him. This not only leaves room for an artist to invent whatever backstory he wants to, but in the case of Todd Phillips's "Joker," it is a chance to explore why a man like Joker would exist in the first place. The titular character is played by Joaquin Phoenix, who is not a criminal mastermind but rather a sad individual who is struggling just to make ends meet.

Michael Douglas in a convertible car, wearing sunglasses and a suit, looking to the side.

While he does spend a few moments of free time working on a standup routine (with jokes that don't exactly land), most of his days are spent working low-paying jobs that he can't keep while taking care of a mother who seems obsessed with the idea that a billionaire running for mayor will eventually step in and save them from their current situation. He needs help. His mother more than needs help. Financially and mentally both are in a world of hurt. Yet the government is not stepping in to help. In fact, the social worker that is assigned to him is being let go, and in her frustration, she tells Arthur Fleck (Phoenix) that the government doesn't care about either of them, so he likely will not be getting the help he needs.

Like many of us, he is a victim of a system that does not know what to do with him. He is looking for some form of happiness but has nothing to hold onto except for illusions of grandeur. His only happiness seems to come from watching the late-night talk show host (played by Robert de Niro) and imagining that the two share a special bond. They will meet at some point, but unexpectedly when the comedian sees a tape of Fleck bombing at standup and uses the opportunity to bring the poor man on his show so that America can make fun of him some more.

Green-skinned witch in a black hat and robe, looking concerned, next to a man in a green military-style jacket.

While that may be good for ratings, what does that kind of attention do to a man already being beaten up on the street so some punks can take his 'Going out of Business' sign (which isn't even his to begin with)? Before this movie came out Martin Scorsese made some comments where he said he believed that superhero movies were more like theme park rides than movies, as while they delivered thrills and fun, they rarely made audiences think much about what they were watching. In this sense, "Joker" is miles ahead of the competition.

Those who walk into this not realizing it is a movie about a Batman villain likely won't even pick up on this fact for much of the movie (and, no, Batman isn't in this). The film is about a broken man who has a whole slew of problems and no way to deal with them. Society wants to help, I'm sure, but it does not know what to do with a man like Arthur Fleck, and would rather push him aside until he acts out in a way that hurts everyone. Leading up to the release many journalists and activists worried that the movie would be seen as a way to justify white incel rage and that the movie would inspire riots (I heard similar concerns about Spike Lee's "Do the Right Thing" back in the day; not sure if anyone learned not to take things so seriously).

Green-skinned witch in a black hat and robe, looking concerned, next to a man in a green military-style jacket.

How little these people know: "Joker" is the kind of movie that could help people understand one another a little more, and the film explores how we as a society fail men like Arthur Fleck, and in a way, we create our own Jokers that we only want to deal with when it is too late to help (yet are outraged when they resort to desperate measures). While we are all masters of our own destiny, sometimes we find ourselves in a hole we can't dig ourselves out of. If help is nowhere to be found and the person becomes desperate, what does that look like? In real life, it's hard to predict, while in "Joker" it looks like a cry for help, one that comes in the form of a painful, agonizing laugh.

Black star on a white background.
Black five-pointed star on a white background.
Black five-pointed star on a white background.
Black five-pointed star on a white background.
Black partial star shape on white background.

4.5 Stars


Blank white image.

Share this page with fellow film lovers on your favorite social media platform and let’s keep the movie talk going!

Recent Posts

Animated characters crowded around a green frog in a blue box, with varied faces and bright colors.
By Kevin Rodriguez June 22, 2026
In “Toy Story 5,” the beloved toys face a tech‑driven world that challenges their purpose, pushing them into a showdown between classic play and digital innovation.
Woman holding a glowing object in a dimly lit room, with several people standing behind her
By Kevin Rodriguez June 16, 2026
Spielberg’s “Disclosure Day” peels back layers of truth, power, and paranoia in a tense, tech‑driven thriller where every revelation raises even bigger questions.
Silhouetted warrior on a wave, sword raised under a bright full moon
By Kevin Rodriguez June 6, 2026
A heartfelt look at why “Kubo and the Two Strings” stands as a breathtaking, imaginative masterpiece—one so rich in artistry and emotion we may not deserve it.
A man in a pink shirt stands in front of a woman and a robot in a dusty outdoor setting.
By Kevin Rodriguez June 5, 2026
“Masters of the Universe” is masterfully fun, blending playful nostalgia, lively action, and self‑aware humor into a colorful, engaging reboot for all ages.
Armored Mandalorian stands in a dim room with a man in the background, warm light and hanging lanterns.
By Kevin Rodriguez May 28, 2026
“Star Wars: The Mandalorian and Grogu” feels like a restrained return to the saga, offering familiar adventure but holding back on emotional and narrative weight.
Close-up of a man in a dim kitchen, looking off to the side with a concerned expression
By Kevin Rodriguez May 21, 2026
The Whale review analyzing Brendan Fraser’s comeback performance, the film’s emotional themes, and Aronofsky’s bold approach to portraying obesity and grief.
Four Teenage Mutant Ninja Turtles stand armed in a dark elevator, wearing masks and armor.
By Kevin Rodriguez May 20, 2026
A blistering takedown of the Teenage Mutant Ninja Turtles reboot, exposing its hideous character designs and lifeless tone. These turtles aren’t charming; just ugly.
The Teenage Mutant Ninja Turtles posing together in an alley, each armed and ready for action.
By Kevin Rodriguez May 20, 2026
iCritic critiques TMNT: Out of the Shadows, noting its lighter tone and better action while arguing it still lacks the sharp, silly bite the franchise deserves.
Two men in period clothing share a lantern in a dark scene, one leaning close and whispering.
By Kevin Rodriguez May 20, 2026
A deeply reflective look at 12 Years a Slave, examining its raw depiction of slavery, masterful acting, and lasting impact as one of the decade’s essential films.
Polar bear and three penguins peeking over a snowy hill under a blue sky.
By Kevin Rodriguez May 20, 2026
Norm of the North melts into a frozen nightmare of bad jokes and worse animation. This iCritic review explores exactly why you’ll wish Hell froze over instead.
Animated characters crowded around a green frog in a blue box, with varied faces and bright colors.
By Kevin Rodriguez June 22, 2026
In “Toy Story 5,” the beloved toys face a tech‑driven world that challenges their purpose, pushing them into a showdown between classic play and digital innovation.
Woman holding a glowing object in a dimly lit room, with several people standing behind her
By Kevin Rodriguez June 16, 2026
Spielberg’s “Disclosure Day” peels back layers of truth, power, and paranoia in a tense, tech‑driven thriller where every revelation raises even bigger questions.
Silhouetted warrior on a wave, sword raised under a bright full moon
By Kevin Rodriguez June 6, 2026
A heartfelt look at why “Kubo and the Two Strings” stands as a breathtaking, imaginative masterpiece—one so rich in artistry and emotion we may not deserve it.
A man in a pink shirt stands in front of a woman and a robot in a dusty outdoor setting.
By Kevin Rodriguez June 5, 2026
“Masters of the Universe” is masterfully fun, blending playful nostalgia, lively action, and self‑aware humor into a colorful, engaging reboot for all ages.
Armored Mandalorian stands in a dim room with a man in the background, warm light and hanging lanterns.
By Kevin Rodriguez May 28, 2026
“Star Wars: The Mandalorian and Grogu” feels like a restrained return to the saga, offering familiar adventure but holding back on emotional and narrative weight.
Close-up of a man in a dim kitchen, looking off to the side with a concerned expression
By Kevin Rodriguez May 21, 2026
The Whale review analyzing Brendan Fraser’s comeback performance, the film’s emotional themes, and Aronofsky’s bold approach to portraying obesity and grief.
Four Teenage Mutant Ninja Turtles stand armed in a dark elevator, wearing masks and armor.
By Kevin Rodriguez May 20, 2026
A blistering takedown of the Teenage Mutant Ninja Turtles reboot, exposing its hideous character designs and lifeless tone. These turtles aren’t charming; just ugly.
The Teenage Mutant Ninja Turtles posing together in an alley, each armed and ready for action.
By Kevin Rodriguez May 20, 2026
iCritic critiques TMNT: Out of the Shadows, noting its lighter tone and better action while arguing it still lacks the sharp, silly bite the franchise deserves.
Two men in period clothing share a lantern in a dark scene, one leaning close and whispering.
By Kevin Rodriguez May 20, 2026
A deeply reflective look at 12 Years a Slave, examining its raw depiction of slavery, masterful acting, and lasting impact as one of the decade’s essential films.
Polar bear and three penguins peeking over a snowy hill under a blue sky.
By Kevin Rodriguez May 20, 2026
Norm of the North melts into a frozen nightmare of bad jokes and worse animation. This iCritic review explores exactly why you’ll wish Hell froze over instead.
Show More