He Was Always Meant to be Free in "12 Years a Slave"

Kevin Rodriguez • May 20, 2026

Title: 12 Years a Slave

Director: Steve McQueen

Genre: Drama

Starring: Chiwetel Ejiofor, Michael Fassbender, Benedict Cumberbatch, Paul Dano, Paul Giamatti, Lupita Nyong'o, Sarah Paulson, Brad Pitt, Alfre Woodard 

Studio: Searchlight Pictures

Rating: R(For violence/cruelty, some nudity and brief sexuality)

Note: This review was originally published in 2013. With the exception of fixing some spelling errors, the review is being presented as it was originally published.


Every decade or so there is a film that comes along that transcends films in general. These films can range from wildly inventive to brutally honest. The latter half represents movies like "The Killing Fields," "Schindler's List," and "Saving Private Ryan," where the events are so difficult to watch you find yourself seeing a major life event for what it really was. "12 Years a Slave" is just that sort of film, as it tells the true story of Solomon Northup (Chiwetel Ejiofor), a Black man in America who was born a free man and had been free his entire life. He has a good family, a nice home, and is respected by many of the white people he does business with. One night he is introduced to two men who show interest in hiring him for his violin-playing skills for their circus. Feeling like the dinner would only take a couple of hours, he goes off with the men and doesn't even tell his wife.

Speed Racer with helmet in front of a red-and-blue racing backdrop and his race car

This decision will haunt him for the next dozen years, as the men have a much more sinister goal in mind. They wine and dine him and are as respectful as gentlemen could be, but once Solomon has had one too many drinks they put him up for the night in a nice bed. When he wakes up he finds himself in a jail cell, chained to the ground, and notified that he is to be sold into slavery. Yes, he has papers showing that he is a free man…at home with his wife. These men don't really care about that though. They paid the two men for him, he doesn't have papers on him at the moment (and I suppose it wouldn't matter if he did), and they've got money to make off him. He has trouble comprehending how the previous day he was a free man and today he is a slave with no rights.

He is sold to his first owner, who treats him kindly and has affection for him. The owner's workers are not kind though, and Solomon stands up to them, still not fully realizing the situation he has found himself in. His white masters may be dumb as bricks, but they still see themselves as better than him and will threaten to beat him for the most trifling things. Circumstances eventually lead Solomon to be sold to a new owner named Edwin Epps (Michael Fassbender), a cruel plantation owner who seems happiest when he's cruel. It's under his ownership that we witness whippings, rape, and gnashing of the teeth. I haven't seen such cruelty on the screen since Mel Gibson's "The Passion of the Christ" (though that is still worse). Edwin is one of those slave drivers who finds reasons to torture his “property.”

Speed Racer looking up amid glowing blue and purple city lights at night

If you pick less than two hundred pounds of cotton you get whipped. Step out of line, you get whipped. He does treat the women differently though, seeing that he first rapes them before they are whipped. His mere presence is a terrifying one even when he doesn't do anything. Of course, a lot of the movie’s power doesn't come from the gruesome images alone, but from the actors portraying these characters. Chiwetel Ejiofor is perfect in the starring role as a man who is forced into a terrible situation and wakes up every day not really sure how he got to the place he's at. There is nothing likable about Michael Fassbender's character, yet he captivates us in ways we couldn't have imagined. We never sense we are watching actors so much as we feel we are watching real people. Overall, the acting in "12 Years a Slave" is on a whole different level than most of the other movies we've seen this year.

Race car driver in a red-and-silver car, leaning forward with a focused expression on a blurred track

Come Oscar season, don't be surprised if the film wins a couple of golden boys for the acting. "12 Years a Slave "is directed by Steve McQueen, a Black English director. I mention this because there have been many films about slavery that have been directed by white men that feel reserved in their portrayal of the subject matter. McQueen has a fresh, brutally honest view of this black mark on our history that is so raw you can't help but feel shaken by it. Yet this is not an angry film nor is it a political one. It's a frank view of a particular time in history where humanity in general failed. By the end of the film we can see good seeds being sown, but we know it will take time for those seeds to blossom. Like most of the important films of our time, 12 Years a Slave is about helping us understand each other a little bit better, and understanding that we are all human beings at the end of the day.

Black star on a white background.
Black star on a white background.
Black star on a white background.
Black star on a white background.
Black star on a white background.

5 Stars


Blank white image.

Share this page with fellow film lovers on your favorite social media platform and let’s keep the movie talk going!

Recent Posts

Airplane flying through dark storm clouds overhead
By Kevin Rodriguez • September 16, 2026
A gripping look at the events aboard United Flight 93, iCritic's review explores how Greengrass's film powerfully captures the fear, courage, and chaos of 9/11.
Dimly lit lounge with neon arch lights, people seated at tables, and a bright windowed area on the left.
By Kevin Rodriguez • September 11, 2026
Disney’s Star Wars hotel promised an immersive revolution but became a costly failure—revealing the hubris behind one of Disney’s biggest miscalculations in history.
Two men face off in a dry field; one raises a hand while holding a shotgun.
By Kevin Rodriguez • September 9, 2026
Does the Coen brothers' "No Country for Old Men" live up to its massive hype? Read our full review exploring Javier Bardem, Josh Brolin, and that shocking ending.
Superhero team standing amid rubble, with Captain America, Iron Man, Hulk, Thor and others ready for battle
By Kevin Rodriguez • September 3, 2026
Does Marvel's epic team-up live up to the hype? Read iCritic's full review of "The Avengers" exploring Joss Whedon's witty dialogue, Loki, and non-stop action.
Menacing black robot head with glowing red eyes against a cloudy sky
By Kevin Rodriguez • September 3, 2026
Overstuffed action and zero stakes make "Avengers: Age of Ultron" a major disappointment. Read iCritic's (borderline frustrated) review of Joss Whedon's MCU sequel.
Thanos in gold armor raises his gauntlet amid a fiery battle scene
By Kevin Rodriguez • September 3, 2026
Is "Avengers: Infinity War" a true cinematic epic or half a movie? Read our full unrated review exploring Josh Brolin's Thanos and Marvel's boldest cliffhanger.
Person crouches in a dim teal-lit industrial room, working with equipment amid cables and machinery.
By Kevin Rodriguez • September 3, 2026
It all comes together in ‘Avengers: Endgame,’ as Marvel delivers an emotional, action-packed culmination of more than a decade of storytelling in the popular MCU.
Person holding Captain America shield outdoors on a grassy field with trees in the background
By Kevin Rodriguez • September 3, 2026
“Captain America: Brave New World” struggles to find its footing, delivering a disappointing Marvel sequel that feels more ordinary than brave, bold, or new.
Close-up of a man’s face beside a glowing silhouetted figure on a dark orange background
By Kevin Rodriguez • August 27, 2026
More than just an iconic twist: Read iCritic's review of "The Sixth Sense" to see why Bruce Willis & Haley Joel Osment's ghost story remains a heartbreaking classic
Black-and-white portrait of a stern-faced person with dramatic spiky hair against a dark background
By Kevin Rodriguez • August 27, 2026
Bizarre, hypnotic, and morbidly beautiful: Read iCritic's 3.5-star review of David Lynch's directorial debut "Eraserhead" and its lasting surreal horror legacy.
Airplane flying through dark storm clouds overhead
By Kevin Rodriguez • September 16, 2026
A gripping look at the events aboard United Flight 93, iCritic's review explores how Greengrass's film powerfully captures the fear, courage, and chaos of 9/11.
Dimly lit lounge with neon arch lights, people seated at tables, and a bright windowed area on the left.
By Kevin Rodriguez • September 11, 2026
Disney’s Star Wars hotel promised an immersive revolution but became a costly failure—revealing the hubris behind one of Disney’s biggest miscalculations in history.
Two men face off in a dry field; one raises a hand while holding a shotgun.
By Kevin Rodriguez • September 9, 2026
Does the Coen brothers' "No Country for Old Men" live up to its massive hype? Read our full review exploring Javier Bardem, Josh Brolin, and that shocking ending.
Superhero team standing amid rubble, with Captain America, Iron Man, Hulk, Thor and others ready for battle
By Kevin Rodriguez • September 3, 2026
Does Marvel's epic team-up live up to the hype? Read iCritic's full review of "The Avengers" exploring Joss Whedon's witty dialogue, Loki, and non-stop action.
Menacing black robot head with glowing red eyes against a cloudy sky
By Kevin Rodriguez • September 3, 2026
Overstuffed action and zero stakes make "Avengers: Age of Ultron" a major disappointment. Read iCritic's (borderline frustrated) review of Joss Whedon's MCU sequel.
Thanos in gold armor raises his gauntlet amid a fiery battle scene
By Kevin Rodriguez • September 3, 2026
Is "Avengers: Infinity War" a true cinematic epic or half a movie? Read our full unrated review exploring Josh Brolin's Thanos and Marvel's boldest cliffhanger.
Person crouches in a dim teal-lit industrial room, working with equipment amid cables and machinery.
By Kevin Rodriguez • September 3, 2026
It all comes together in ‘Avengers: Endgame,’ as Marvel delivers an emotional, action-packed culmination of more than a decade of storytelling in the popular MCU.
Person holding Captain America shield outdoors on a grassy field with trees in the background
By Kevin Rodriguez • September 3, 2026
“Captain America: Brave New World” struggles to find its footing, delivering a disappointing Marvel sequel that feels more ordinary than brave, bold, or new.
Close-up of a man’s face beside a glowing silhouetted figure on a dark orange background
By Kevin Rodriguez • August 27, 2026
More than just an iconic twist: Read iCritic's review of "The Sixth Sense" to see why Bruce Willis & Haley Joel Osment's ghost story remains a heartbreaking classic
Black-and-white portrait of a stern-faced person with dramatic spiky hair against a dark background
By Kevin Rodriguez • August 27, 2026
Bizarre, hypnotic, and morbidly beautiful: Read iCritic's 3.5-star review of David Lynch's directorial debut "Eraserhead" and its lasting surreal horror legacy.
Show More