"Marty Supreme" is Exhausting and Unlikable Experience

Kevin Rodriguez • January 10, 2026

Title: Marty Supreme

Director: Josh Sadfie

Starring: Timothée Chalamet

Genre: Drama

Studio: A24

Rating: R (For language throughout, sexual content, some violent content/bloody images and nudity)

I must admit that I am in a pickle with this review. Josh Sadfie (one of the Sadfie Brothers, who directed films like “Uncut Gems” and “Daddy Long Legs,” two films I unquestionably liked) has crafted a technically great, roller coaster of a film. He and his brother Benny used to direct films together, but split this year to make solo projects. Benny’s film was “The Smashing Machine,” a movie I gave two and a half stars to because while it was well-acted, it wasn’t exactly able to convey why audiences should care about the subject matter.

Gabby talks to the audience.

With “Marty Supreme,” we have the opposite problem: this movie is extremely well made and does a very good job of explaining why the subject matter is so important to our main protagonist. In many ways, this should be the stronger film. Ironically, the film is also swapping places with “The Smashing Machine” in another big way: while I liked Dwayne Johnson's character in Benny’s film, I absolutely loathed Timothée Chalamet’s character in Josh’s film. Like, I truly, truly loathe this guy. Keep in mind, I think movies about unlikable people can work.

Kristen Wiig see's a dollhouse she likes.

If the movie can properly make us at least sympathetic with the anti-hero's plot, you can get great stories like “Breaking Bad” and “Dog Day Afternoon,” fiction that has us caring about the protagonist's outcome even when it is very clear everyone would be better off if these people were not around. The issue I have with Marty Mauser (which is his real name) is that he comes off more as a drug addict than a dreamer. Give the Adam Sandler character from “Uncut Gems” credit; though he didn’t care how he hurt people around him, at least he was a compulsive gambler, so his lack of empathy tracks with someone who suffers from that illness.

Gabby and the Gabby Cats in animated form.

But Marty…Marty seems more driven by ego and illusions of grandeur. He is chasing a dream that nobody cares about, and one that even a starry-eyed dreamer will look upon and question if the ends justify the means. He is not above stealing from family members and friends so that he can buy a plane ticket to attend a ping pong competition, which he is looking at to restore his reputation after a humiliating defeat at the hands of a Japanese man (America has just exited World War II). It’s one thing when he attempts to rip off a mobster; its another when he tries to rip off his best friend, uncle, and mother.

Gabby and the Gabby Cats in animated form.

As a dreamer of sorts, Marty doesn’t hesitate to scheme, sleep around, and even put a dog's life in danger so long as he can play in the ping pong tournament. And why is this so important to him? Because ping pong is the sport of America’s future, or something to that effect. Look, I know ping pong played a major role in “Forest Gump,” but I still don’t personally know anyone who watches the sport for fun so much that they play it while they are drunk at a Halloween party.

Gabby and the Gabby Cats in animated form.

Frustratingly, there are moments where Marty is given a chance to make some real money playing the sport he loves, but he’s too much of a narcissist to do anything but piss off his benefactors. I will agree that the direction is moving at 20 miles a minute, and Timothée Chalamet is acting his butt off here, but I found the experience to be more exhausting than exciting. Exhausting can be fine when you are invested in the outcome (again, see “Uncut Gems”), but I couldn’t care less about Marty Mauser or if he ever got to play the ping pong match he desperately wants, and no amount of great acting can fix that.


This review was originally publish on The Fandom Post.

Black five-pointed star on a white background.
Black star on a white background.

2 Rating


White background.

Share this page with fellow film lovers on your favorite social media platform and let’s keep the movie talk going!

Recent Posts

Woman holding a glowing object in a dimly lit room, with several people standing behind her
By Kevin Rodriguez June 16, 2026
Spielberg’s “Disclosure Day” peels back layers of truth, power, and paranoia in a tense, tech‑driven thriller where every revelation raises even bigger questions.
Silhouetted warrior on a wave, sword raised under a bright full moon
By Kevin Rodriguez June 6, 2026
A heartfelt look at why “Kubo and the Two Strings” stands as a breathtaking, imaginative masterpiece—one so rich in artistry and emotion we may not deserve it.
A man in a pink shirt stands in front of a woman and a robot in a dusty outdoor setting.
By Kevin Rodriguez June 5, 2026
“Masters of the Universe” is masterfully fun, blending playful nostalgia, lively action, and self‑aware humor into a colorful, engaging reboot for all ages.
Armored Mandalorian stands in a dim room with a man in the background, warm light and hanging lanterns.
By Kevin Rodriguez May 28, 2026
“Star Wars: The Mandalorian and Grogu” feels like a restrained return to the saga, offering familiar adventure but holding back on emotional and narrative weight.
Close-up of a man in a dim kitchen, looking off to the side with a concerned expression
By Kevin Rodriguez May 21, 2026
The Whale review analyzing Brendan Fraser’s comeback performance, the film’s emotional themes, and Aronofsky’s bold approach to portraying obesity and grief.
Four Teenage Mutant Ninja Turtles stand armed in a dark elevator, wearing masks and armor.
By Kevin Rodriguez May 20, 2026
A blistering takedown of the Teenage Mutant Ninja Turtles reboot, exposing its hideous character designs and lifeless tone. These turtles aren’t charming; just ugly.
The Teenage Mutant Ninja Turtles posing together in an alley, each armed and ready for action.
By Kevin Rodriguez May 20, 2026
iCritic critiques TMNT: Out of the Shadows, noting its lighter tone and better action while arguing it still lacks the sharp, silly bite the franchise deserves.
Two men in period clothing share a lantern in a dark scene, one leaning close and whispering.
By Kevin Rodriguez May 20, 2026
A deeply reflective look at 12 Years a Slave, examining its raw depiction of slavery, masterful acting, and lasting impact as one of the decade’s essential films.
Polar bear and three penguins peeking over a snowy hill under a blue sky.
By Kevin Rodriguez May 20, 2026
Norm of the North melts into a frozen nightmare of bad jokes and worse animation. This iCritic review explores exactly why you’ll wish Hell froze over instead.
Driver wearing a clear oxygen mask in a car, looking ahead with a serious expression.
By Kevin Rodriguez May 14, 2026
Christopher Nolan goes on an endless loop in Tenet, a slick, time‑twisting spectacle that impresses the senses even as its emotional core slips away.
Woman holding a glowing object in a dimly lit room, with several people standing behind her
By Kevin Rodriguez June 16, 2026
Spielberg’s “Disclosure Day” peels back layers of truth, power, and paranoia in a tense, tech‑driven thriller where every revelation raises even bigger questions.
Silhouetted warrior on a wave, sword raised under a bright full moon
By Kevin Rodriguez June 6, 2026
A heartfelt look at why “Kubo and the Two Strings” stands as a breathtaking, imaginative masterpiece—one so rich in artistry and emotion we may not deserve it.
A man in a pink shirt stands in front of a woman and a robot in a dusty outdoor setting.
By Kevin Rodriguez June 5, 2026
“Masters of the Universe” is masterfully fun, blending playful nostalgia, lively action, and self‑aware humor into a colorful, engaging reboot for all ages.
Armored Mandalorian stands in a dim room with a man in the background, warm light and hanging lanterns.
By Kevin Rodriguez May 28, 2026
“Star Wars: The Mandalorian and Grogu” feels like a restrained return to the saga, offering familiar adventure but holding back on emotional and narrative weight.
Close-up of a man in a dim kitchen, looking off to the side with a concerned expression
By Kevin Rodriguez May 21, 2026
The Whale review analyzing Brendan Fraser’s comeback performance, the film’s emotional themes, and Aronofsky’s bold approach to portraying obesity and grief.
Four Teenage Mutant Ninja Turtles stand armed in a dark elevator, wearing masks and armor.
By Kevin Rodriguez May 20, 2026
A blistering takedown of the Teenage Mutant Ninja Turtles reboot, exposing its hideous character designs and lifeless tone. These turtles aren’t charming; just ugly.
The Teenage Mutant Ninja Turtles posing together in an alley, each armed and ready for action.
By Kevin Rodriguez May 20, 2026
iCritic critiques TMNT: Out of the Shadows, noting its lighter tone and better action while arguing it still lacks the sharp, silly bite the franchise deserves.
Two men in period clothing share a lantern in a dark scene, one leaning close and whispering.
By Kevin Rodriguez May 20, 2026
A deeply reflective look at 12 Years a Slave, examining its raw depiction of slavery, masterful acting, and lasting impact as one of the decade’s essential films.
Polar bear and three penguins peeking over a snowy hill under a blue sky.
By Kevin Rodriguez May 20, 2026
Norm of the North melts into a frozen nightmare of bad jokes and worse animation. This iCritic review explores exactly why you’ll wish Hell froze over instead.
Driver wearing a clear oxygen mask in a car, looking ahead with a serious expression.
By Kevin Rodriguez May 14, 2026
Christopher Nolan goes on an endless loop in Tenet, a slick, time‑twisting spectacle that impresses the senses even as its emotional core slips away.
Show More