"Wicked: For Good" Lands (Even Though it Doesn't Quite Fly)

Kevin Rodriguez • November 25, 2025

Title: Wicked: For Good

Director: Jon M. Chu

Genre: Musical

Studio: Universal Studios

Rating: PG (For action/violence, some suggestive material and thematic material)

It was always going to be a gamble to split the beloved Broadway musical “Wicked” into two films. While the first film defied gravity and became an instant classic, fans of the material now have to process a thought that they never had to before: mainly, that the second half of the show is not as memorable as the first. Yes, “Wicked: For Good” has a lot going for it and should in no way be considered a bad movie, but there are some uncomfortable truths that means this likely won’t be making it on my Best Films of the Year list.

Ant-Man in his suit stands over fallen men in a metallic room, illuminated by geometric lights.

Picking up from where the previous film left off, “Wicked: For Good” finds the Wizard of Oz (Jeff Goldblum) in full propaganda mode, as he and his assistants spend all day propping up Glinda (Ariana Grande) as the Good Witch of the East and Elphaba (Cynthia Erivo) as the Wicked Witch of the West. Elphaba has made it her mission to expose the Wizard for being the fraud that he is and bring justice to the animals he silenced. Glinda, meanwhile, would probably be on the right side of history if she didn’t like the fact that she has become a beloved figure in Oz.

Michael Douglas in a convertible car, wearing sunglasses and a suit, looking to the side.

Caught in all of this is Fiyero (Jonathan Bailey), who is engaged to Glinda but finds that he may have deeper feelings for the one they call ‘wicked.’ In terms of gravitas and scope, “Wicked: For Good” has the first film beat, as we delve deeper into the politics of Oz, as well as the ever-shifting complicated relationships between everyone. Glinda in particular becomes the focal point of the film, as she is aware of how compromised she has become due to her wanting what she can not have (as well as gaining from those who have been wronged by Oz).

Dorthy and her gang meet The Wizard of Oz.

Are kids going to enjoy the politics of Oz? That is a good question. My nieces and nephews all loved the movie, but notably did not ask to listen to the soundtrack on the way home (as opposed to the first film, where we were streaming the music before we got to the car). Musically, a duet between Glinda and Elphaba, highlighting the difference they made in each other's lives, is a standout, as is a three-way duet where the Wizard tries to negotiate a ceasefire with Elphaba (complete with a lot of fun visual effects and dance moves). Most of the songs, however, are less memorable this time around, and I’m struggling to hum many of them mere hours after my viewing ended.

Green-skinned witch in a black hat and robe, looking concerned, next to a man in a green military-style jacket.

Likewise, the vibrant colors of the first film are more drab and monotone this time around, adding to the heightened dramatic tone of the film but managing to wipe out what made the first film aesthetically pleasing to the eye. For all the flaws of the film, though, I have to admit it ended in a more than satisfying way, and even managed to bring in more lore of ‘The Wizard of Oz’ in fun and surprising ways. ‘Instant classic’ is not a term I’m going to use this time around, however, “Wicked: For Good” is ambitious in its conclusion, even though it puts aside many of the elements that made the first film so memorable.

Black star on a white background.
Black five-pointed star on a white background.
Black star on white background.
Black partial star shape on white background.

3.5 Rating


Blank white image.

Share this page with fellow film lovers on your favorite social media platform and let’s keep the movie talk going!

Recent Posts

Animated characters crowded around a green frog in a blue box, with varied faces and bright colors.
By Kevin Rodriguez June 22, 2026
In “Toy Story 5,” the beloved toys face a tech‑driven world that challenges their purpose, pushing them into a showdown between classic play and digital innovation.
Woman holding a glowing object in a dimly lit room, with several people standing behind her
By Kevin Rodriguez June 16, 2026
Spielberg’s “Disclosure Day” peels back layers of truth, power, and paranoia in a tense, tech‑driven thriller where every revelation raises even bigger questions.
Silhouetted warrior on a wave, sword raised under a bright full moon
By Kevin Rodriguez June 6, 2026
A heartfelt look at why “Kubo and the Two Strings” stands as a breathtaking, imaginative masterpiece—one so rich in artistry and emotion we may not deserve it.
A man in a pink shirt stands in front of a woman and a robot in a dusty outdoor setting.
By Kevin Rodriguez June 5, 2026
“Masters of the Universe” is masterfully fun, blending playful nostalgia, lively action, and self‑aware humor into a colorful, engaging reboot for all ages.
Armored Mandalorian stands in a dim room with a man in the background, warm light and hanging lanterns.
By Kevin Rodriguez May 28, 2026
“Star Wars: The Mandalorian and Grogu” feels like a restrained return to the saga, offering familiar adventure but holding back on emotional and narrative weight.
Close-up of a man in a dim kitchen, looking off to the side with a concerned expression
By Kevin Rodriguez May 21, 2026
The Whale review analyzing Brendan Fraser’s comeback performance, the film’s emotional themes, and Aronofsky’s bold approach to portraying obesity and grief.
Four Teenage Mutant Ninja Turtles stand armed in a dark elevator, wearing masks and armor.
By Kevin Rodriguez May 20, 2026
A blistering takedown of the Teenage Mutant Ninja Turtles reboot, exposing its hideous character designs and lifeless tone. These turtles aren’t charming; just ugly.
The Teenage Mutant Ninja Turtles posing together in an alley, each armed and ready for action.
By Kevin Rodriguez May 20, 2026
iCritic critiques TMNT: Out of the Shadows, noting its lighter tone and better action while arguing it still lacks the sharp, silly bite the franchise deserves.
Two men in period clothing share a lantern in a dark scene, one leaning close and whispering.
By Kevin Rodriguez May 20, 2026
A deeply reflective look at 12 Years a Slave, examining its raw depiction of slavery, masterful acting, and lasting impact as one of the decade’s essential films.
Polar bear and three penguins peeking over a snowy hill under a blue sky.
By Kevin Rodriguez May 20, 2026
Norm of the North melts into a frozen nightmare of bad jokes and worse animation. This iCritic review explores exactly why you’ll wish Hell froze over instead.
Animated characters crowded around a green frog in a blue box, with varied faces and bright colors.
By Kevin Rodriguez June 22, 2026
In “Toy Story 5,” the beloved toys face a tech‑driven world that challenges their purpose, pushing them into a showdown between classic play and digital innovation.
Woman holding a glowing object in a dimly lit room, with several people standing behind her
By Kevin Rodriguez June 16, 2026
Spielberg’s “Disclosure Day” peels back layers of truth, power, and paranoia in a tense, tech‑driven thriller where every revelation raises even bigger questions.
Silhouetted warrior on a wave, sword raised under a bright full moon
By Kevin Rodriguez June 6, 2026
A heartfelt look at why “Kubo and the Two Strings” stands as a breathtaking, imaginative masterpiece—one so rich in artistry and emotion we may not deserve it.
A man in a pink shirt stands in front of a woman and a robot in a dusty outdoor setting.
By Kevin Rodriguez June 5, 2026
“Masters of the Universe” is masterfully fun, blending playful nostalgia, lively action, and self‑aware humor into a colorful, engaging reboot for all ages.
Armored Mandalorian stands in a dim room with a man in the background, warm light and hanging lanterns.
By Kevin Rodriguez May 28, 2026
“Star Wars: The Mandalorian and Grogu” feels like a restrained return to the saga, offering familiar adventure but holding back on emotional and narrative weight.
Close-up of a man in a dim kitchen, looking off to the side with a concerned expression
By Kevin Rodriguez May 21, 2026
The Whale review analyzing Brendan Fraser’s comeback performance, the film’s emotional themes, and Aronofsky’s bold approach to portraying obesity and grief.
Four Teenage Mutant Ninja Turtles stand armed in a dark elevator, wearing masks and armor.
By Kevin Rodriguez May 20, 2026
A blistering takedown of the Teenage Mutant Ninja Turtles reboot, exposing its hideous character designs and lifeless tone. These turtles aren’t charming; just ugly.
The Teenage Mutant Ninja Turtles posing together in an alley, each armed and ready for action.
By Kevin Rodriguez May 20, 2026
iCritic critiques TMNT: Out of the Shadows, noting its lighter tone and better action while arguing it still lacks the sharp, silly bite the franchise deserves.
Two men in period clothing share a lantern in a dark scene, one leaning close and whispering.
By Kevin Rodriguez May 20, 2026
A deeply reflective look at 12 Years a Slave, examining its raw depiction of slavery, masterful acting, and lasting impact as one of the decade’s essential films.
Polar bear and three penguins peeking over a snowy hill under a blue sky.
By Kevin Rodriguez May 20, 2026
Norm of the North melts into a frozen nightmare of bad jokes and worse animation. This iCritic review explores exactly why you’ll wish Hell froze over instead.
Show More