Can We Ever Truly Find "Atonement?"

Kevin Rodriguez • August 25, 2026

Title: Atonement

Director: Joe Wright

Starring: James McAvoy, Kiera Knightly

Genre: Drama

Studio: Focus Features

Rating: R (For disturbing war images, sexuality and nudity)

This review was originally published in 2007. Except for cleaning up spelling errors, it is presented as it was originally published.


“Atonement” has all the makings of an American classic. It tells a story of love, jealousy, and betrayal, all set against the backdrop of World War II. WWII may be a bit overplayed at times, but hey, the filmmakers must have decided that if it worked for “Gone With the Wind,” then it should work for “Atonement.” It does at times, though I must admit the whole WWII aspect of storytelling is getting very old at this point in the game. While there are moments of raw brutality and immense power in some of these scenes, the movie is at its best when it focuses on the real heart of the story: a girl sees something that she thinks she understands and tells a lie, thus destroying the lives of many people, her own included. The girl in question is Briony Tallis, an aspiring writer who has just finished writing her first play.

Young child with short blond hair in a light shirt, standing outdoors with a serious expression.

Upon finishing the play, though, she witnesses her sister Cecilia (Keira Knightley in another Oscar-worthy performance) supposedly being attacked by local farm boy Robbie Turner (James McAvoy). Though the act she witnesses is an act of love as opposed to an act of violence, she nevertheless reports Robbie as a rapist, and Robbie is sent to jail for four years. Though most movies would watch Robbie learn to cope with being separated from his true love in a jail cell, the movie instead skips forward a few years to show us a similar and, in some ways, crueler jail in the real world. This is where WWII comes into the picture, and all three are serving their country: Robbie in battle, Cecilia and Briony in the hospitals. Robbie and Cecilia have to live without each other. Even sadder, Briony has to live with herself now that she’s come to terms with what she’s done.

“Atonement” is, first and foremost, a tragedy. These are good people. Some of these people do stupid things, but they mean well. Some of these people don’t deserve what they receive, but, like real people, have to play with the bad deck of cards they’ve been dealt. Worse than being dealt a bad hand, at times it feels like the dealer of that hand cheated. While we’re on the poker analogy, I want to mention that sometimes I feel movies of this kind are like poker games themselves. Several of these epic tragedies are made a year. Some of them work, some of them don’t. Some even come close before falling in the end. It’s amazing that “Atonement” manages to set up its situations and characters in ways that don’t feel cheap or fake. With any other director and cast, this movie might have been mugging the camera for praise.

Soldier in muddy uniform carrying a rifle runs through a war-torn battlefield

Thankfully this movie doesn’t feel fake, but feels real. It feels as real as the tears on Cecilia’s face when she realizes that she has been betrayed so horribly by her younger sister. Later on in her life, when Briony is no longer a child, she has one of this year's saddest moments. A scene of true emotion and authenticity, where we see someone come to the realization of what they have done, and how much they truly messed up. Though people cannot change the sins of the past, they can do what they can to atone for them—even if, as some characters find out, that atonement does not factor in receiving forgiveness from those they’ve wronged.

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4.5 Stars


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