"Another Year" Review

Sean Dollentas • September 5, 2025

Title: Another Year

Director: Mike Leigh

Starring: Jim Broadbent, Lesley Manville, Ruth Sheen

I admit that sometimes in my life I look around at the people I surround myself with and wonder why I don’t just quit. I have good friends, but their problems are very apparent sometimes. I suppose mine are too to them, but if they are they don’t say anything. For Tom and Gerri Hepple (Jim Broadbent and Ruth Sheen) they are the glue that holds a family together, best friends to someone who has none, and wise beyond belief. Their story in “Another Year” will drive most people crazy because it’s not straightforward in a way you would expect. Indeed, the movie seems to start in the middle of their story and end without much resolution. It’s just another year for these people, and whatever happens, happens. The two of them have been happily married their whole lives.

Older woman hugging older man from behind; bookshelves in background.

They are now in near retirement and they are usually at their house. People who visit them range from family to close friends. They all have problems that are the result of life itself. Their son has never married and is beginning to wonder if he ever will. Tom’s best friend Jack was at one point a very attractive, successful businessman, who now is fat, grey, and lost in life. They all come to these two not because they can help them, but because they enjoy their company. That both of them keep their disapproval to themselves with a few rare exceptions makes them supportive to a fault. If they have an obvious problem it’s with Gerri’s co-worker Mary (Lesley Manville), who is at their house regardless what time of the year it is.

Woman in kitchen, brown hair, cleavage, standing in front of shelves.

Usually drunk and extremely selfish, it’s to the actors credit that their devotion to this hopeless wreck doesn’t make them come off as extremely nuts for putting up with her. They are not stupid: They know this woman needs help. But then, how do you help someone who won’t even admit to herself that she needs help? It’s this storyline that is most fleshed out, and comes close to dominating the film to become the main focal point of the whole film. But director Mike Leigh (who specializes in quirky comedies with large casts) knows that this is not one characters story. He also understands that life is not so predictable that things can wrap up so neatly.

Three people smiling and chatting

When I say the movie ends abruptly I mean it: Very little gets solved. But then, people rarely change as well. Sometimes the best one can hope for is to get through the year in one piece and start the next year the same way. Plus, despite all the drama that happens, the film is brilliant because it’s largely a feel good movie that has dramatic moments. It captures life at it’s most raw, and how good things and bad things happen in the heat of the moment and sometimes without much warning. The actors all do their best with the great roles they’ve been given and Leigh works at the top of his game. It may be just another year for the characters, but “Another Year” is far more than just another movie.

Black star on a white background.
Black star on a white background.
Black star on white background.
Black star on white background.

4 Rating


White background.

Share this page with fellow film lovers on your favorite social media platform and let’s keep the movie talk going!

Recent Posts

Woman with long hair in a softly lit room, looking to the side with a thoughtful expression
By Kevin Rodriguez • October 19, 2026
An Oscar campaign for {NAME REDACTED] in "You Can See Everything" isn't just unearned—it could sabotage the doc's historic shot at a Best Picture nomination.
Person holds up a blue Facebook card indoors, looking at the camera.
By Kevin Rodriguez • October 15, 2026
David Fincher's The Social Network explores friendship, ambition, and the rise of Facebook in a sharply written drama that captures a new era of communication.
Business people walking down a hallway, with serious expressions and briefcases in a dim office setting
By Kevin Rodriguez • October 13, 2026
The Social Reckoning tackles Facebook's misinformation epidemic in a compelling sequel that informs audiences but misses David Fincher's cinematic touch.
Five people in dark clothing pose in dramatic black-and-white lighting, facing the camera.
By Kevin Rodriguez • October 13, 2026
*Shoeshine* delivers a heartbreaking portrait of children failed by their families and the justice system, revealing how some injustices endure across generations.
Three smiling animated adventurers in colorful outfits standing in a glowing forest
By Kevin Rodriguez • October 12, 2026
DreamWorks' Forgotten Island blends Filipino culture, bold animation, and visually chaotic energy that ultimately delivers an emotionally satisfying journey.
Person with glittery face covering mouth, blue lighting, and abstract blue background
By Kevin Rodriguez • October 12, 2026
The Influencer Project pushes found-footage horror into offensive territory, relying on provocative content and disturbing imagery rather than intelligence.
Halloween display with glowing jack-o'-lanterns by a window, lit by warm orange light
By Kevin Rodriguez • October 12, 2026
Aardman's Shaun the Sheep: The Beast of Mossy Bottom delivers Halloween fun for all ages, combining impressive stop-motion animation with clever visual comedy.
A young man in a rough green cloak stands in a muddy village, with thatched huts behind him.
By Kevin Rodriguez • October 12, 2026
Despite strong performances, solid action, and an intriguing premise, The Uprising struggles to rise above mediocrity and lacks emotional impact or stakes.
Silhouetted person kneeling in a sunlit empty room, holding a small object with one arm raised.
By Kevin Rodriguez • October 6, 2026
Tom Cruise stars as a billionaire oil CEO in Alejandro G. Iñárritu's chaotic black comedy "Digger." Is this wild climate satire a misunderstood masterpiece?
Airplane flying through dark storm clouds overhead
By Kevin Rodriguez • September 16, 2026
A gripping look at the events aboard United Flight 93, iCritic's review explores how Greengrass's film powerfully captures the fear, courage, and chaos of 9/11.
Woman with long hair in a softly lit room, looking to the side with a thoughtful expression
By Kevin Rodriguez • October 19, 2026
An Oscar campaign for {NAME REDACTED] in "You Can See Everything" isn't just unearned—it could sabotage the doc's historic shot at a Best Picture nomination.
Person holds up a blue Facebook card indoors, looking at the camera.
By Kevin Rodriguez • October 15, 2026
David Fincher's The Social Network explores friendship, ambition, and the rise of Facebook in a sharply written drama that captures a new era of communication.
Business people walking down a hallway, with serious expressions and briefcases in a dim office setting
By Kevin Rodriguez • October 13, 2026
The Social Reckoning tackles Facebook's misinformation epidemic in a compelling sequel that informs audiences but misses David Fincher's cinematic touch.
Five people in dark clothing pose in dramatic black-and-white lighting, facing the camera.
By Kevin Rodriguez • October 13, 2026
*Shoeshine* delivers a heartbreaking portrait of children failed by their families and the justice system, revealing how some injustices endure across generations.
Three smiling animated adventurers in colorful outfits standing in a glowing forest
By Kevin Rodriguez • October 12, 2026
DreamWorks' Forgotten Island blends Filipino culture, bold animation, and visually chaotic energy that ultimately delivers an emotionally satisfying journey.
Person with glittery face covering mouth, blue lighting, and abstract blue background
By Kevin Rodriguez • October 12, 2026
The Influencer Project pushes found-footage horror into offensive territory, relying on provocative content and disturbing imagery rather than intelligence.
Halloween display with glowing jack-o'-lanterns by a window, lit by warm orange light
By Kevin Rodriguez • October 12, 2026
Aardman's Shaun the Sheep: The Beast of Mossy Bottom delivers Halloween fun for all ages, combining impressive stop-motion animation with clever visual comedy.
A young man in a rough green cloak stands in a muddy village, with thatched huts behind him.
By Kevin Rodriguez • October 12, 2026
Despite strong performances, solid action, and an intriguing premise, The Uprising struggles to rise above mediocrity and lacks emotional impact or stakes.
Silhouetted person kneeling in a sunlit empty room, holding a small object with one arm raised.
By Kevin Rodriguez • October 6, 2026
Tom Cruise stars as a billionaire oil CEO in Alejandro G. Iñárritu's chaotic black comedy "Digger." Is this wild climate satire a misunderstood masterpiece?
Airplane flying through dark storm clouds overhead
By Kevin Rodriguez • September 16, 2026
A gripping look at the events aboard United Flight 93, iCritic's review explores how Greengrass's film powerfully captures the fear, courage, and chaos of 9/11.
Show More